Sabtu, 28 Mei 2011

[G988.Ebook] Download Modern France: A Very Short Introduction, by Vanessa R. Schwartz

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Modern France: A Very Short Introduction, by Vanessa R. Schwartz

In this Very Short Introduction, Vanessa Schwartz argues that modern France, as both a world stage and a global crossroads, is an essential actor in the development of contemporary culture. Indeed, French is the only language other than English spoken on five continents, and more people still visit France than anywhere else in the world. French fashion continues to dominate haute couture and, at the same time, French people are at the forefront of international "style," which was as true in the first half of the twentieth century as it is today. This tension between "Frenchness" as both particular and transnational remains one of the most compelling qualities of the culture. If French culture and culture producers are working around the globe, if Paris is an international capital, the marvel is that France still manages to attract visitors from all over the world seeking out the drama of its historic castles and significant battlefields, its more than 300 cheeses and the renowned wines grown in its rich soil.

About the Series: Combining authority with wit, accessibility, and style, Very Short Introductions offer an introduction to some of life's most interesting topics. Written by experts for the newcomer, they demonstrate the finest contemporary thinking about the central problems and issues in hundreds of key topics, from philosophy to Freud, quantum theory to Islam

  • Sales Rank: #132247 in Books
  • Brand: Brand: Oxford University Press
  • Published on: 2011-10-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 4.40" h x .40" w x 6.70" l, .26 pounds
  • Binding: Paperback
  • 152 pages
Features
  • Used Book in Good Condition

Review

"This quite brilliant 'introductory essay' has as its main point that the specificity of French collective identity and culture is - and has always been - in its ability to blend a very strong sense of national self with universalist values. Everyone who wants to know more about modern French culture and history should read this book." -Patrice Higonnet, Robert Walton Goelet Professor of French History, Harvard University


"How could anyone boil down modern France to, what, 30,000 words? It's impossible, of course. To approach the subject in the space of two journal articles, you'd have to make a series of strategic choices, settle on an angle of attack, discard strict chronology, and focus on what interests you the most. Vanessa Schwartz did all these things and more in this gem of an essay on modern France, a book that will be useful and enjoyable to specialists and general readers alike."--H-France Review


About the Author

Vanessa Schwartz is Professor of History at the University of Southern California and author of It's SO French! Hollywood, Paris and the Making of Cosmopolitan Film Culture.

Most helpful customer reviews

17 of 17 people found the following review helpful.
Very New (2011) Into to Modern France
By Ray
If someone were to ask me to write a summary of modern France that was only about 140 moderate-to-small sized pages, I'm not sure how I would handle the task. I've spent enough time in France and read enough books about the country and its history that I would probably spend as much time just trying to select topics as I would actually writing. The history of France itself is an incredibly detailed and interesting one, but how would I describe modern France itself in such a short space? I fear I would not be able to, easily becoming caught up in all the topics, themes, currents, events, and movements that have added up to making France what it is today.

So, when I saw a new book that purports to summarize Modern France in such a format, I was a tiny bit skeptical. Interested, but skeptical. The advantage of short, summarized works, of course, is that the author does the hard work of slicing out, selecting, and summarizing from vast swaths of source material to develop something that is easily digestible. The drawback, also of course, is that such summaries rarely can convey "essence" without throwing away all the details that are essential components of that very essence." But, to my delight, Vanessa Schwartz has done a very good job with this challenging task in her new book, which is part of Oxford's already truly outstanding "Very Short Introduction" series.

Schwartz's book, though a delight for anyone interested in France, is also very well suited for those new to the topic and wishing to be introduced to this fascinating country. The book provides an introductory framework that uses the French Revolution as both its starting point and an orienting guidepost for all things Franco-Modern, and then quickly (and really quickly, due to the length constraints) hits on the high points of the modern state. We read of movements (the communards, consumerism, etc.), the role of the French language in France and around the world, as well as modern realities (the TGV, the Concord jet, tourism, etc.) as part of this story. And although there is little time to dwell on any of these things, Schwartz has done a great job of weaving much divergent, yet nevertheless, intertwined content into a highly readable narrative that is accessible to nearly anyone. It's as enjoyable to read as it is impressive for its coverage.

I could easily see this book used as a supplemental text for someone studying French and wishing to get a broader understanding of France today. It could also be used by someone planning their first trip to France, and wanting to understand the country just a bit more before the trip (yet it must be said that France is a country that probably needs to be understood from the inside out, as much as the outside in). But it can also be used by anyone with an interest in France and who just wishes to see a new author cut a curve of prose through this fascinating country. The book's readability, pocketability, and content coverage make it not only an excellent addition to the wonderful Oxford series of "A Very Short Introduction", but as a work in its own right. Five stars.

Also See:
For the opposite type of book, where the detail is rich, thick, and extended, see Pierre Nora's highly acclaimed three-volume set in English (translated):
Realms of Memory: Rethinking the French Past, Vol. 1 - Conflicts and Divisions
Realms of Memory: Rethinking the French Past, Vol. 2 - Traditions
Realms of Memory: Rethinking the French Past, Vol. 3 - Symbols

For a truly fascinating and unusual text about the development of modern France, I highly recommend:
The Discovery of France: A Historical Geography

For some other excellent books in 'A Very Short Introduction to ..." that I've enjoyed:
The French Revolution: A Very Short Introduction (Very Short Introductions)
Descartes: A Very Short Introduction (Very Short Introductions)

8 of 8 people found the following review helpful.
Very short - and quite brilliant
By Jon Wiener
Vanessa Schwartz has written a wonderful book about the glories of Paris, of French art and French film, and about the French obsession with their language. The chapter on the French Revoution, which was the beginning of everything, is especially strong -- and her treatment of France's conflicts and contradictions today is sober and smart. It's a great example of how a "very short" book can also be (in the words of Patrice Higgonet) "quite brilliant."

0 of 1 people found the following review helpful.
Not a book reivew
By Kenneth H. Winn
This once contained some information about the vendor service and has nothing to say about the content of this book. Sorry.

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Automotive Bodywork & Rust Repair, by Matt Joseph

There comes a time when just about every car on the road will need some form of rust or body repair. Quite often, if the car is a daily driver for running errands, repairs are never made, and the car eventually ends up in junkyard heaven. For our beloved collector cars, hot rods, and muscle cars, dents, dings, and rust are not an option, and neither is the scrap heap. And for just about any restoration project, the bodywork is by far the most expensive part of the process.

In Automotive Bodywork and Rust Repair, veteran restorer Matt Joseph shows you the ins and out of tackling both simple and difficult rust and metalwork projects. This book teaches you how to select the proper tools for the job, common-sense approaches to the task ahead of you, preparing and cleaning sheet metal, section fabrications and repair patches, welding options such as gas and electric, forming, fitting and smoothing, cutting metal, final metal finishing including filling and sanding, the secrets of lead filling, making panels fit properly, and more. Also included is a comprehensive resource guide.

Whether you decide you want to tackle a full restoration project, or just want to save money by doing minor repairs yourself, Automotive Bodywork and Rust Repair is the book to get you through it.

  • Sales Rank: #32120 in Books
  • Brand: CarTech
  • Published on: 2009-10-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.00" h x .38" w x 8.50" l, 1.18 pounds
  • Binding: Paperback
  • 160 pages
Features
  • Book, "Automotive Bodywork and Rust Repair", 160 Pages, Paperback, Each

Review
"...we think this book is a great place to start your body and rust repair education." (Modified Mustangs and Fords 2010-06-01)

"For a professional who wants a refresher or an amateur who wants to do it himself, Automotive Bodywork and Rust Repair is a highly valuable asset, not to be missed." (Midwest Book Review 2010-05-01)

"This very thorough and well-illustrated book covers every type of body repair you can think of." (Muscle Car Review 2010-06-01)

From the Back Cover
There comes a time when just about every car on the road needs some form of rust or body repair. Quite often, if the car is a daily driver for running errands, repairs are never made, and the car eventually ends up in junkyard heaven. For our beloved collector cars, hot rods, and muscle cars, dents, dings, and rust are not an option, and neither is the scrap heap. And for just about any restoration project, the bodywork is by far the most expensive part of the process.

In Automotive Bodywork and Rust Repair, veteran restorer Matt Joseph shows you the ins and outs of tackling both simple and difficult rust and metalwork projects. This book teaches you how to select the proper tools for the job, common-sense approaches to the task ahead of you, preparing and cleaning sheetmetal, section fabrications and repair patches, welding options such as gas and electric, forming, fitting and smoothing, cutting metal, final metal finishing including filling and sanding, the secrets of lead filling, making panels fit properly, and more. Also included is a comprehensive resource guide. Whether you decide you want to tackle a full restoration project, or just want to save money by doing minor repairs yourself, Automotive Bodywork and Rust Repair is the book to get you through it.

About the Author
A history professor by trade, Matt Joseph's automotive passion was inherited from his father early on. Matt has been published in more than 1,800 feature articles, and was a contributing editor for magazines such as Skinned Knuckles and Cars & Parts. He has hosted two automotive themed radio talk programs, and presently works in TV. He continues to work as an industry consultant, providing services to corporate, financial, and government clients on various aspects of automotive design, marketing, advertising, publications, and policy.

Most helpful customer reviews

30 of 30 people found the following review helpful.
Another Great Book From An Automotive Legend!!
By Valentino
I picked this up right when it came out and dove into the pages and the project (an 84' AR Spider). As per usual for Mr. Joseph, the writing is interesting and detail oriented without being needlessly complex. The photography is outstanding and final result is a book that explains the processes and the reason they are used well enough so that a novice (me) can get started and an expert (my friend) can learn a trick or two. If you are starting a project (or just thinking about it) pick up a copy immediately.

26 of 26 people found the following review helpful.
Excellent Introduction and Overview
By Foolish Perfectionist
I imagine this text becoming a classic on the subject. The author wrote plainly. He introduced bumping, filing, filling, grinding, patching, sanding, sectioning, welding, and more. Newer and older repair approaches are mentioned, if only in passing. The author also discussed advantages and drawbacks of an impressive variety of tools normally used in bodywork.

After reading this book, I feel confident enough to tackle rust remediation on my aging Chevy truck. I think this book communicated the principles well enough that I'll be able to get out of any trouble I might stumble into. And I'll surely avoid a lot of trouble altogether. Without this book, I shudder to think of the damage I would have caused had I gone straight to an auto parts store and tried to git-r-done.

The author seems to possess a patience and reverence for the work, and what it takes to do bodywork competently. This is not a 12-step plan for slathering filler and spray paint on your ride.

With regard to criticism, I can think of three things that prospective readers might care to know. First, this book does not specifically discuss the latest generation of fancy electric sanders that are now probably finding their way into automotive use. For example, I happen to own a Festool RO 150 FEQ Rotex sander, which I reckon to be suitable for some automotive applications, but this book only addresses pure-rotary sanders of a traditional design. Second, this book does not discuss the application of paints and finishes much, if at all. Presumably, painting is beyond the scope of this book, and deserves treatment all its own. Thirdly, despite talking about welding as it applies to auto bodywork, persons who have never used a welder will need separate instruction.

Incidentally, bumping means using a hammer or similar tool to gently change the shape of sheet metal. I recall being confused about what bumping meant as I read the first pages of the book.

0 of 0 people found the following review helpful.
Five Stars
By Rey
Good!

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[Z523.Ebook] Ebook Download Weimar and Nazi Germany: Continuities and Discontinuities 1st edition

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Weimar and Nazi Germany: Continuities and Discontinuities 1st edition

  • Published on: 1707
  • Binding: Paperback

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Selasa, 24 Mei 2011

[M702.Ebook] Ebook Free Eyes of Crow (Aspect of Crow Book 1), by Jeri Smith-Ready

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Eyes of Crow (Aspect of Crow Book 1), by Jeri Smith-Ready

She was born to die...again and again.

For Rhia was bound to the Spirit of Crow, gifted with the foresight of Death's approach and doomed to the isolation of one feared and set apart. There must always be one whose magic can ease the passage of the people of Asermos to the Other Side. But to be the guide her people require, to truly know the depth of her gift--her curse--Rhia must surrender herself to the wisdom of the Great Forest...and drink deeply of Death itself.

And though two powerful men stand ready to aid her, even to love her, the Aspect of Crow demands unthinkable sacrifices from the one who walks its path.

  • Sales Rank: #155070 in eBooks
  • Published on: 2007-10-01
  • Released on: 2007-10-01
  • Format: Kindle eBook

Review
"A fresh new voice in urban fantasy. Requiem for the Devil blends fantasy, sensuality and humor in a remarkable tale." -- Bestselling author Catherine Asaro on Requiem for the Devil

Eyes of Crow lured me into its clutches by page two...Beware, reader! You may never want to return... -- PC Cast, author of Goddess of Love

Lovers of fantasy are about to embark on a great new series. -- Romantic Times Book Reviews, 4.5 Stars Top Pick

[A]n absolutely delightful coming-of-age story. -- Charles de Lint, Magazine of Fantasy and Science Fiction

About the Author
Jeri Smith-Ready has been writing fiction since the night she had her first double espresso. A steady stream of caffeine has resulted in twelve published novels for teens and adults, including RT Reviewers Choice-winning fantasy EYES OF CROW; as well as the PRISM award-winning WICKED GAME and SHADE. Her most recent release is the YA contemporary novel THIS SIDE OF SALVATION, which Booklist called a "smart, unpredictable, and well-rounded tale" in its starred review.
 
Jeri lives in the rolling hills of Maryland with her husband and two cats, who often play tag-team "sit in the author's lap and keep her from writing." (The cats, that is, not the husband. Though actually...) When not writing, she's either out running or on Twitter.

Excerpt. © Reprinted by permission. All rights reserved.

The dog would not die.

Surely he was ill, and had been a puppy before the dawn of Rhia's earliest memory, more than five winters ago. He lay before the fire with his thick gray head in her lap, staring dully into the flames. She stroked the wiry hair along his side. His flesh felt cold, and she could fit her fingers between the ridges his ribs made in his skin. Even his halting breath smelled stale, like a half-open grave.

All her senses told Rhia that Boreas would not see tomorrow's sun. And yet...

Her mother Mayra turned from the table and crossed the room, feet whispering over the wolfskin rug. Holding an earthen bowl and a pale green cloth, she knelt beside Rhia.

"This will take away his pain and help him on his journey home." She showed Rhia the bowl's contents—a tiny amount of liquid, no more than what the child could cup in her palm. It wasn't enough.

Mayra covered the bowl with the cloth and began to chant, low and soft, calling upon her Otter Guardian Spirit to augment the medicine. Rhia closed her eyes and tried to clear her mind of fear and grief. The Spirits worked best when those present stayed out of their way.

Through her eyelids Rhia saw a golden light flare, the color of the sun on an autumn afternoon. A swish of liquid and Mayra's whispered gratitude told her that Otter had hearkened to the plea for help. When the light faded, Rhia opened her eyes and locked her gaze onto the dog's. Two tears, then another, plopped onto his muzzle.

Mayra dipped the cloth in the half-full bowl to let it soak. They sat listening to the only two sounds in the room—the dog's labored puffing and the snapping of sparks in the stone fireplace.

Rhia heard the cloth drip into the bowl as her mother squeezed it. The drops must not be wasted, but enough medicine needed to reach the dog's throat to give him release. Even in his withered old age, Boreas was much larger than Rhia—on his hind legs he could rest his paws on her head. A year ago, while Rhia was recovering from a muscle-wasting illness that sapped all strength from her limbs, Boreas had lent her his sturdy back and legs as a crutch. Now on cold nights like this one, when the wind and the wolves howled in harmony outside these log walls, she would curl up within his furry frame, one forepaw over her shoulder, and sleep warm and safe.

"Hold his head, dear."

Rhia reached under Boreas's snout and tilted it up. All at once he exhaled hard, almost a cough, and a weight lifted from him. In the back of her head she heard a sound like the hurried flapping of heavy wings. Her breath caught, and she craned her neck to peer behind her.

"What is it?" her mother asked.

Rhia turned to the worn face reddened by the wind and the firelight.

"It's not time," she said.

"Time for what?"

"For him to go."

Mayra cast a tender glance over her daughter's face. "I know you wish it were not his time, but—"

"He's not ready." She swallowed a sob and steadied her voice. "The world's not ready."

Mayra's gentle eyes narrowed. "Why do you speak of this?" Rhia tilted her head to the northwest, from where the wind blew. "He'll take a wolf with him when he goes."

Her mother's whisper shook. "How do you know?"

"I just know." She blinked, and her last tear fell, this time on her own wrist. To stop now would be to waste her mother's magic—magic she herself hoped to carry one day. But something not entirely inside her begged for the dog's life. "Please don't make him die, Mama. Wait until morning, and you'll see. I promise."

Mayra's eyes glistened in the firelight as she gazed at Rhia with something more complicated than sympathy. The look held more pain than her mother's face had shown since Rhia's sickness—which, the girl now realized, was the first time she had heard those wings rush over the landscape of her mind.

Finally Mayra reached out and retucked one of her daughter's red-brown curls behind her ear, then brushed the back of her hand against Rhia's cheek. Without a word she stood and placed the cloth and bowl on the table, then shuffled over to climb the ladder to the sleeping loft she shared with her husband, Tereus.

Rhia dragged a thick log across the hearth and heaved it into the flames. It spit and hissed like a cornered wildcat. She blinked at it with near-pleasure as she remembered how even a few months ago she could no more have lifted the log than raise the house itself. Though her limbs would never regain normal strength, they no longer betrayed her, no longer pretended not to hear what her mind ordered them to do. They obeyed grudgingly, with the reluctance of sullen children.

She turned away from the fire and lay on the floor behind Boreas, her front to his back. Reaching around him, she pulled the wolf skin rug over both their bodies. The hound groaned deep in his throat.

"Go to sleep," she murmured into the knobby ridge on the back of his head. "You'll wake tomorrow."

The dog would not die, not for another two and a half years, when Rhia was nearly eleven. A wolf pack tried to drive the ponies from her family's farm into the surrounding forest. Though far into old age, Boreas was the first of the dogs to attack, killing the lead wolf. Moments later, his body crumpled from the effort. Because the summer soil was too dry and hard to dig a grave, Rhia and her family made a cairn of rocks for the dog and wolf together, then said a prayer to Crow to guide them safely home.

A rumor of Rhia's vision must have escaped, for the villagers began to invite the girl to observe their sick hounds or lame ponies. She wanted to help, but the animals' suffering saddened her, and their journeys toward the Other Side reminded her of the one she had almost taken as a child.

The bitterest blow came when Mayra, a village healer, no longer brought her along to patients' homes. During Rhia's childhood, they had both hoped that the sweet, playful Otter would touch her, too. A different Spirit had chosen her—one that courted not life but its dreaded opposite.

One day, after Rhia had just turned fifteen, Galen the village Council leader came to her family's horse and dog farm with his son Arcas. It was a brisk late afternoon in early spring, when the leaf buds were still only in the trees' imagination. Rhia was cleaning the hounds' pens when she saw the man and boy trudge up the steep hill to her home. She hurried to smooth her long hair and wipe the sweat from below her eyes. Mustn't look slovenly for Galen, she told herself, then smiled at her feeble attempt at self-deception. It was the sight of Arcas, not his imposing father, that made her pulse jump and her hands twitch and wonder what to do with themselves.

She couldn't put a pin in the moment when she first saw Arcas as something other than a childhood playmate. Most likely it happened either an instant before or an instant after he had kissed her behind the stables the month before. Since then, the smell of manure made her swoon with joy.

Rhia trotted toward the house to call her parents, then stopped to regard the two men again, for something was different about them today. Their steps were heavy, tan faces set in unusual grimness, heads bowed so that the sunlight glinted off their hair, the color of freshly tilled soil. Arcas's hair fell halfway down his back, but Galen's swept the top of his shoulders; it had been cut short last year to mourn the death of his mother.

As always, a single brown hawk feather, black-streaked and red-tipped, hung around Galen's neck. Everyone she knew who possessed animal magic—which was every adult she'd ever met—wore some fetish of their Guardian Spirit to signal their powers. It was not to boast but rather a courtesy to let others know what they were dealing with. For instance, no one could be tricked into trying to deceive Owl people, who saw through a lie as if it were made of air.

When they were about ten steps away, Galen's sharp gaze finally found Rhia. Something in it made her want to draw a thick cloak around herself, both for warmth and concealment. She sensed he knew more about her than she cared to confront on this til-now-tranquil day.

Rhia greeted them with a bow, which they returned. "Welcome," she said, then looked at Galen. "How is your brother's health?"

"Not good, Rhia. Thank you for asking." He managed a slight smile, tempering her unease. "May I speak with your parents?"

She nodded and reached for the front door, which opened before she touched it.

"Galen, greetings." Her father was dressed for company, in clean shoes and a russet shirt that matched his hair, which looked freshly combed and plaited into a long braid down his back. A single white Swan feather, dust-fringed from long days on the farm, swung from a leather cord around his neck as he bowed. "We've been expecting you."

Mayra appeared at Tereus's side and took his arm. Her thin lips trembled as she glanced between Rhia and the Council leader. "Please, come in."

Galen crossed the threshold, turned and held out his palm in an unambiguous gesture that told Rhia and Arcas, "stay outside."

The door closed, and Rhia turned to her friend. "Why didn't they tell me you and your father were coming?" They could have at least given her the chance to wash her face and comb the hay out of her hair. But she realized now that all day Mayra and Tereus had behaved as if they were both monitoring and avoiding her. "And why can't we hear?"

Arcas hunched his shoulders. "My uncle's very sick. Father probably wants some of your mother's healing wisdom."

"But he didn't ask for my mother. He asked for my parents. Don't you think that's mysterious?"

A slow smile spread across Arcas's face. "When you've lived with my father for sixteen years, you get used to mysteries."

She turned away at the sight of his grin, which warmed her toes. "I have to water the dogs."

Arcas followed her into the hounds' pen. The tall gray beasts swarmed him as if he were dinner itself. He patted his broad chest with both hands, and two of the dogs propped their paws against him and licked his face. Rhia noticed that for the first time, he was taller than they were.

"It's hard on their backs to stand like that." She picked up the two dirty pails of water. "Sorry. Off!" he told the hounds in a tone too playful for them to heed.

They left the pen and headed for Mayra's herb garden, where Rhia splashed the leftover water from the pails.

"Besides," Arcas said, "I shouldn't teach your dogs bad manners. If they ever jumped on you that way, your little bones would be crushed to a fine powder."

Rhia tried to glare at him, though she preferred being taunted rather than pitied for her lack of physical prowess. Arcas was one of the few people who didn't treat her like she was made of eggshells.

"For that remark, you get to pump." She tossed him one of the buckets.

"You're a big girl now, you can do it."

"I can, but I'd rather watch you." Arcas actually blushed as he knelt beside the well pump next to the garden. The lever squeaked in protest when he lifted it.

"Before you know it," he said in a teasing voice, turning the attention back on her, "you'll head into the forest for your Bestowing."

She suppressed a shudder at the thought of entering the dark woods. "I'm too busy. If my Guardian Spirit wants to bestow my Aspect, It can bring it here."

"Spirits don't grant powers to those who hide from them." He pumped water into the bucket with a slow, steady rhythm. "Except maybe for Mouse."

"I'm not a Mouse!" Rhia almost slung the other pail at Arcas's head.

He raised a defensive arm in front of his face and laughed, but then his voice sobered. "Everyone knows what you are."

Most helpful customer reviews

0 of 0 people found the following review helpful.
Incredible and Awe Inspirng
By AlyssGrey
This book is magic from beginning to end, and reads soomthly but with with great truth found in its core.
Reading this book you would never guess this book belongs in th scifi genre (to understand that part read the prequel Call Of The Wild which is available free from amazon), but the basic idea of the book is that it takes place hundreds of years in the future after the demise of Earth as we know it. What is created is a civilization created by people who never knew each other who become chosen hosts for animal spirits who help them build a world again.
This book is almost Native American in the idea that each person has a spirt animal aspect which gives them powers and abilities to run the community. The who idea is everyone works for the common good.
This book (and series after prequel) tell the story of Rhia who discovers after a devastating childhood illness that her spirit animal is unusal crow. A person inbewed with the power or crow means that they take a person's soul into the after life,the can tell how close a person is to death by the sound of crows wings, and after mastering certain levels even talk to the dead. This book is about how Rhia comes to terms with being a crow and learning how to do the tasks she must do. And most importantly how to find love and feel love as well as passion when you hold the knowledge of their very death and know its you who will bring them to the afterlife.
It isn't your average scifi novel but it does rank as one of the best books I have ever written. It's not a post apocalyptic novel because it's about a people who have found a way to life, like going back to the days of the traditional Native American People, it's not a book with flashy swords or lighsabers, no this book is a story of human survival which has gone back to the roots of the world and in the process tells a coming of age story of girl who not only has to learn to live and manage and help with a power so many see as scary and horrifying and all the while find love.
This book takes done all you barriers and really makes you question your views on death and the power it has on you and our society and brings into the perspective the power of relationships and all that one must consider within the.not just how long will they last, but the passion and love and care that must be there, and also the impact of death on a relationship, and even deeper perhaps the effects of hiding your true self.
This book should not be missed. It should be one taken in and shared.

0 of 0 people found the following review helpful.
Postmodern world
By Lexxie
Oh, how I loved this world, where people were in contact with the spirit world, and each person had an animal spirit to guide them, and to help others.

Rhia is truly an extraordinary young woman! She was afraid of her gift, and had to deal with the guilt that came because of it. However, when she finally chose to embrace it, she showed both strength and weakness, confidence and insecurity. And she continued to be true to herself as she grew.

I loved how she was with Arcas, but was even happier with how she developed and became more mature, and loving with Marek.

Her relationships with others were like they are for actual people as well, sometimes, we are scared when we meet new people, and JSR really coined that awkwardness that can arise when we move to a new place.

The war scenes were truly amazing, I felt like I was running around with Rhia when the fighting was at its' peak, and I was searching for Marek with her.

1 of 1 people found the following review helpful.
The Journey begins...
By Amy C
Wow! Fantastic book. The idea of death can be terrifying because it is an uknown to us. But with the help of Crow and the one bestowed with His aspect, he helps to soothe that which we don't know, easing their transition to the Other side.
Rhia was chosen to have the aspect of Crow. In this first book we journey with her as she discovers she cannot run from her destiny, no matter how much she fears being Crow. With a war looming, an invasion of the Descendants (those who do not believe in the magic of the Spirits), Rhia has completed her Bestowing and trains with another Crow woman from Kalindos. There Rhia meets Marek. Their relationship is strong and together he helps her with her fear and she helps with his guilt. I thought this book was very intriguing. The detail of the world and the Spirits was well thought out and wonderfully put together. There were some tearful moments and those are always a plus for me. Definitely a great fantasy and a recommended read!

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Eyes of Crow (Aspect of Crow Book 1), by Jeri Smith-Ready PDF
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Sabtu, 21 Mei 2011

[J199.Ebook] Ebook The Brethren (Annie's People Series #3) (Volume 3), by Beverly Lewis

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The Brethren (Annie's People Series #3) (Volume 3), by Beverly Lewis

The Brethren (Annie's People Series #3) (Volume 3), by Beverly Lewis



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The Brethren (Annie's People Series #3) (Volume 3), by Beverly Lewis

With the People forbidding her to see Ben, will Annie willfully return to her art or relent and join the church? Annie's People book 3.

  • Sales Rank: #342482 in Books
  • Brand: Baker Pub Group/Baker Books
  • Published on: 2006-10-01
  • Released on: 2006-10-01
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.37" h x .88" w x 5.49" l, .75 pounds
  • Binding: Paperback
  • 352 pages
Features
  • ISBN13: 9780764201073
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Review
"Beverly Lewis continues to give her readers what they have found irresistible in her previous best-selling books." -- Violet Nesdoly, blogcritics.org

About the Author
Beverly Lewis, born in the heart of Pennsylvania Dutch country, is the New York Times bestselling author of more than ninety books. Her stories have been published in eleven languages worldwide. A keen interest in her mother's Plain heritage has inspired

Most helpful customer reviews

25 of 26 people found the following review helpful.
Hated to See This End
By M. Rondeau
Sometimes it's difficult to come into a series on the last installment without feeling lost. Luckily, finding the subject matter and people to be so interesting with lovely characterizations and references to previous events, I quickly picked up with where the story was at that particular moment.

It appears that Annie Zook, the Amish preacher's daughter was a bit of a handful being somewhat willful for a young Amish woman. Evidently she had committed two very grave things that went against doctrine of the Amish people. One was secretly following her heart and pursuing a friendship with Ben an Englisher or `fancy' person, and the other was her love and joy of painting, something very much forbidden within the Amish community. Having been found out, Annie had obeyed her father and terminated the relationship with Ben, as well as promising to not touch her painting for at least six months.

Along with Annie's issues of adherence to the People's doctrine, there were several secondary stories going on. Prominent among them were after a child's bones had been plowed up, Annie's friend Zeke had admitted to slaying his younger brother Isaac; Zeke's wife Esther is being `shunned' by the People for not fully embracing Amish doctrines; and Annie's `fancy' friend Lou who had come to visit embraced the Amish life then went back to her world and now faced questions of faith. More importantly, Ben had returned to Paradise, Pennsylvania with a surprising truth about himself that could change many people's lives, including his own.

Lewis embarked on a tremendous amount of storylines and as far as I was concerned solved all the mysteries, bringing most to satisfying conclusions. She gave an abundance of information which, not having read the previous books, were all answered in this final installment. Personally, I loved the fast pace, the sparkling personality, loving concern and respectfulness of the primary characters as Lewis revealed a slice of life in the Amish community few people are exposed to. My one regret is that for all intents and purposes this is supposed to be the end of a series and I would love to see it continued. I can recommend this book to be entertaining, well-written with likeable characters the reader will enjoy.

Marilyn Rondeau - RIO - Reviewers International Organization

24 of 25 people found the following review helpful.
good book, but...
By Joy
I enjoyed the first two books in this series and so, when I sat down to read this one, I had all these expectations of what should happen. Well, some of those expectations were met, but when I finished the story, I wasn't completely satisfied. I don't want to get too in detail with the characters so I won't spoil it for other readers, but for me, there were still some loose ends that weren't wrapped up or satisfactorily explained. I don't suppose Ms. Lewis plans another series to continue the story, but it'd be great if she did.

14 of 15 people found the following review helpful.
Somewhat disappointing
By J. Willhite
I was disappointed in this book, the pace moved along too quickly for my taste and it was so incredibly predictable. This series lacks the depth and complexities that the Abram's Daughters books had. I was very puzzled by the way this book ended. It left me wanting more and seriously questioning the decisions of the characters. They were just not as three dimensional as the characters in the other Lewis books have been.

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Minggu, 15 Mei 2011

[X479.Ebook] Download The Theater Will Rock: A History of the Rock Musical, from Hair to Hedwig, by Elizabeth Lara Wollman

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The Theater Will Rock: A History of the Rock Musical, from Hair to Hedwig, by Elizabeth  Lara Wollman

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The Theater Will Rock: A History of the Rock Musical, from Hair to Hedwig, by Elizabeth  Lara Wollman

"A much-needed study of the impact of rock music on the musical theater and its resulting challenges, complexities, failures, and successes. Anyone interested in Broadway will learn a great deal from this book."
---William Everett, author of The Musical: A Research Guide to Musical Theatre

"As Wollman weaves her historical narrative, she compellingly returns to . . . the conflict between the aesthetics and ideologies of rock music and the disciplined and commercial practices of the musical stage."
---Theatre Research International

"This well-written account puts the highs and lows of producing staged rock musicals in New York City into perspective and is well worth reading for the depth of insight it provides."
---Studies in Musical Theatre

The tumultuous decade of the 1960s in America gave birth to many new ideas and forms of expression, among them the rock musical. An unlikely offspring of the performing arts, the rock musical appeared when two highly distinctive and American art forms joined onstage in New York City. The Theater Will Rock explores the history of the rock musical, which has since evolved to become one of the most important cultural influences on American musical theater, and a major cultural export.
 
Despite the genre’s influence and fame, there are still some critics who claim that the term “rock musical” is an oxymoron. The relationship between rock and the musical theater has been stormy from the start, and even the comparatively recent success of Rent has done little to convince theater producers that rock musicals are anything but highly risky ventures. Elizabeth L. Wollman explores the reasons behind these problematic connections and looks at the socioeconomic forces that underlie aesthetic decisions. She weighs the influence on the rock musical by mass media, sound, and recording technology, and the economic pressures that have affected New York theater in general over the past three decades. Finally, Wollman offers a meditation on the state of the musical, its relation to rock, and, ultimately, its future.
 
Packed with candid commentary by members of New York's vibrant theater community, The Theater Will Rock traces the rock musical’s evolution over nearly fifty years, in popular productions such as Hair, The Who's Tommy, Jesus Christ Superstar, The Rocky Horror Picture Show, Little Shop of Horrors, Rent, and Mamma Mia!—and in notable flops such as The Capeman.
 
Elizabeth L. Wollman is Assistant Professor of Music at Baruch College of the City University of New York.

  • Sales Rank: #2714495 in Books
  • Published on: 2006-11-06
  • Original language: English
  • Number of items: 1
  • Dimensions: .98" h x 6.30" w x 9.18" l,
  • Binding: Hardcover
  • 288 pages

Review
"A much-needed study of the impact of rock music on the musical theater and its resulting challenges, complexities, failures, and successes. Anyone interested in Broadway will learn a great deal from this book." - William Everett, author of The Musical: A Research Guide to Musical Theatre "This well-written account puts the highs and lows of producing staged rock musicals in New York City into perspective and is well worth reading for the depth of insight it provides." - Studies in Musical Theatre"

About the Author
Ethnomusicologist Elizabeth L. Wollman is a faculty member at the Department of Fine and Performing Arts at Baruch College, City University of New York.

Most helpful customer reviews

10 of 13 people found the following review helpful.
Great book on Modern Musical Theater!
By Bill Crouch
One of the best and most informative books on Musical Theater out there today. In a relatively new field of study, this book pushes the scholarship methodology to a finer level. Combines strong research with on site interviews with the pre-eminent makers of today's rock musicals. Get this book if you are getting a degree, or if you are a professional in the Music Theater industry in a major city in the U.S.A.

2 of 3 people found the following review helpful.
Broadway Never Lost Its Hair
By R F Brown
There does seem to be a common understanding that before the musical Hair there was nothing like Hair and that most of what followed Hair were flop imitations - Dude, Via Galactica, Rainbow. Though Hair became a classic, theatrical producers stopped throwing their money away on rock scores by about 1975. What Elizabeth Wollman's through history brings forward is that Hair's influence in musical theatre can be seen in decades of cultural tug-of-war between keeping rock music's aesthetics authentic and produce musicals that have mass audience appeal. Hair's long beautiful hair grew into Grease, and Les Mis, and Mama Mia but through the use of softer forms of rock music. We don't really recognize how things of changed since Rogers and Hammerstein. Unlike any work I've read on the topic of musical theatre, or even in rock journalism for that matter, Wollman finally provides language for describing the variety of very different kinds of musical theatre that are too often lazily categorized as "rock musicals." For once Hair is rock musical, Jesus Christ Superstar is rock opera and Dreamgirls and Smokey Joe's Cafe are other things too, well categorized here. I have a couple of quibbles. First, I think Wollman doesn't emphasize that much of the failure in those fabulous post-Hair rock flops lies in being rushed to Broadway with big money backers and no existing source material. Most of the truly great shows in musical theatre are drawn from novels, plays or history. At least Hair had the huge benefit of a long and sometimes painful gestation period before finally coming uptown. The big rock flops of the early 1970's were being made-up on the spot. Ironically two of the successful rock musicals from the same period, Your Own Thing and Two Gentleman of Verona were adapted from that rebellious beatnik Shakespeare. Next, Wollman makes frequent reference to off-off Broadway shows like House of Leather and The Legend of Johnny Pot which barely ever opened, meanwhile her research overlooks shows like Promenade (259 performances) and Salvation (239 performances). Finally, between her socio-historical chapters the author includes some short academic meditations on audience attitudes, marketing experiments, and musical aesthetics. These interlude essay are well written they do seem like step children, sections from a different book. If you are seeking musical aesthetics and composition for musical theater, you won't find much here on the specific shows or songs. However this is excellent work on cultural commodification and the economics of Broadway over the last forty years.

0 of 0 people found the following review helpful.
Not bad, but needs an update.
By kjtenorman
Not bad, but it definitely needs an update. This book was released in 2009, but the last musical it covers is Mamma Mia! in 2001 (huh?). A ton of rock musicals have premiered on and off-broadway since then (Spring Awakening, Next to Normal, Once, Bloody Bloody Andrew Jackson, etc.). I appreciate that the author took the time to find some great quotes from individuals who were involved with each musical discussed. However, the author doesn't thoroughly analyze each show, and some of her observations are a little odd and biased. That said, this is a pretty good general rock musical resource (albeit out-of-date).

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Kamis, 12 Mei 2011

[S774.Ebook] Download Ebook Saint Joseph Edition of the Holy Bible, by Confraternity Of Christian Doctrine

Download Ebook Saint Joseph Edition of the Holy Bible, by Confraternity Of Christian Doctrine

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Saint Joseph Edition of the Holy Bible, by Confraternity Of Christian Doctrine

Saint Joseph Edition of the Holy Bible, by Confraternity Of Christian Doctrine



Saint Joseph Edition of the Holy Bible, by Confraternity Of Christian Doctrine

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Saint Joseph Edition of the Holy Bible, by Confraternity Of Christian Doctrine

Contains Confraternity Version of the New Testament, with Douay Rheims Translation of the Old Testament. Commentary by Confraternity. Confraternity New Testament, unique version preceding Vatican II, predecessor of the NAB. Modern language, without theological compromise.

  • Sales Rank: #452475 in Books
  • Published on: 1963
  • Binding: Hardcover
  • 334 pages

Most helpful customer reviews

37 of 38 people found the following review helpful.
Among Best Choices for Single Volume Confraternity Version Bible with Most of Its O.T. with Full N.T.
By Gerald Parker
The Confraternity Version (C.V.) of Bible took many years to complete. The New Testament thereof came into print, in 1941, long before much of the Old Testament appeared, the latter bit by bit in separate volumes, with single volume editions of the full Bible (including, of course, the deuterocanonical writings, which Protestants designate as "Apocrypha") in the intervening period rounding out the Old Testament (O.T.) with the balance in the Douay-Challoner Version for those books of the O.T. which the Confraternity Version project had not yet finalised. As the 1950s rolled by into the mid-1960s, increasingly more of a Confraternity-Douay Bible would include the books of the O.T. in the on-going Confraternity Version translation. (Of course, initially such Bibles had included Confraternity Version's long-completed 1941 N.T. with the O.T. entirely in the Douay-Challoner Version.)

The Confraternity Version, indeed, was completed, in 1969, when the full O.T. text of the C.V. at last appeared, a fact of which many Roman Catholic (R.C.) and other Christians are not aware. Alas, the far inferior New American Bible (N.A.B.) appeared the next year, in 1970 (rather confusingly, also under the auspices of the Confraternity of Christian Doctrine), with the complete texts of both the N.A.B.'s O.T. and of its N.T. in editions that had them bound together, in a single volume. The appearance of the N.A.B. in complete 1970 form ensued so quickly upon the heels of completion of the C.V. in 1969 that the 1970 N.A.B. unjustly displaced the 1969 C.V. from favour, which resulted in the quick withdrawal of edtions of the full 1969 C.V. from the market. Because of this, very few editions (multi-volume or otherwise) and copies thereof of the C.V. with the full 1969 O.T. exist; a full Confraternity Version Bible (1969 text) has been available in the Philippines, but, not surprisingly, is exceedingly hard to obtain elsewhere.

Even after the 1969 C.V. Old Testament had been completed and, at last, could be available in a single volume for the O.T., publishers nonetheless went on marketing single-volume C.V. Bibles comprising both the New and the Old Testaments only in editions which continued to mingle much of its own Confraternity O.T. with some books remaining in the Douay-Challoner Version; perhaps this was to sell off stocks of Confraternity-Douay Bibles before finally issuing Bible editions including the entire O.T. and N.T. Confraternity texts, something that, regrettably, seems never to have happened on any large scale.

The Douay-Challoner O.T. was, nevertheless, a fine and faithful translation, albeit one based on other principles and exclusively upon the Clementine Latin Vulgate text (rather than on the texts in Hebrew, Aramaic, and Greek which the Confraternity text translated), with the fortunate result that any Bible having the two Testaments together with a mixed Confraternity-Douay O.T. still provided the reader with a fine and reliable Bible to use.

The best that most buyers can do who wish to have the great Confraternity Version Bible in a single volume, whether to obtain through the Amazon WWW sites or even otherwise (as of late 2008), is to obtain a mixed edition of the Confraternity ("Confraternity-Douay") Bible that includes its N.T. and as much of the Confraternity O.T. as he can find, with the balance of the O.T. in the Douay-Challoner Version, such as the edition for which the Amazon entry includes this user's review.

The Knox Bible (a 20th century translation, of high literary quality in its English style, by Ronald Knox, based on the Latin Vulgate with resort also to the Hebrew and Greek texts of, respectively, the O.T. and N.T.) remained in print, but it, also, began to in lose popularity; at any rate, Knox's translation was too often too paraphrastic to be any kind of rival either to the preceding Douay-Rheims-Challoner Version (from Latin) or to the C.V. (from Hebrew and Aramaic for the O.T., from primarily Latin for the N.T.). There consequently is a crying need all the more for a new printing or new edition of the full 1969 C.V., with its own entire O.T. included.

There are some inconvenient aspects of the Confraternity and Knox versions for users unfamiliar with them and with earlier Roman Catholic (R.C.) translations, e.g. the numbering of the Psalms (being that of the Latin Vulgate and Greek Septuagint), the use of Latinised forms of names rather than the forms that are more familiar in the Authorised ("King James") and other Protestant Bibles, and now in subsequent R.C. ones, too (e.g. Noe rather than Noah), the Latinised titles used for Old Testament books which in some cases differ significantly from what one is accustomed to encounter both in Protestant and in subsequent R.C. translations, and so forth, but the quality and accuracy of the C.V.'s translation so far surpass what one finds in other R.C. Bibles that one bears gladly with these traits of the C.V. (These matters were normalised in the text of the N.A.B.'s O.T. as moderately revised from the 1969 C.V.'s O.T., but, alas, with the truly dreadful 1970 N.A.B.'s N.T. harnassed to it.)

The fine old Douay-Rheims-Challoner Version (D.-R.-C.) Bible rightly is regaining favour after so many years of domination in Roman Catholic circles of the Jerusalem Bible (J.B.), and its moderate revision, the New Jerusalem Bible (N.J.B.), which are quite fine in many ways but certainly not superior either to the D.-R.-C. Version or to the C.V.; as for the N.A.B., it is truly a "sadsack" version of little worth compared to any of these others! Unfortunately, the great C.V. has yet to have the kind of reawakening to its own value which the D.-R.-C. Version, for its part, is enjoying. Traditionalist Roman Catholics, in particular, should use only the Douay-Rheims-Challoner, the Confraternity Version (including those "Confraternity-Douay" editions), and, perhaps, the Knox Version, and thus should avoid such atrocities as the New American Bible (in its original 1970 or later revised forms), if it is a Bible (or a portion thereof) produced specifically and solely under R.C. auspices for which they wish to opt, rather than one of the oecumenical Bibles that have been marketed (sometimes in "Catholic Editions" thereof) since the 1960s.

While the use of a form of the so-called Greek "Critical Text", which are inferior to the faithful variants of the Textus Receptus (T.R.), characterises even the C.V.'s 1941 New Testament (N.T.), to quite limited degree, the 1941 C.V. had a much more cautious approach to the variants available in surviving manuscript "families" of the Greek N.T. and in the "marginalia" of in the various Greek Critical Texts that depart from the Ecclesiastical Text found in the Textus Receptus and the Complutensian Polyglot; indeed, the 1941 N.T. of the C.V. was translated primarily from the Clementine Latin Vulgate, and to the extent that the 1941 C.V.'s N.T. made secondary resort to Greek at all, it seems to have relied upon a more moderate form of Critical Text than those Critical Texts which translators have used to prepare their N.T. translations (entirely, for better as well as for worse, from Greek) for inclusion in subsequent R.C. and Protestant English Bibles alike.

The Confraternity Version is a point of reference for careful study of the Holy Bible, and, unlike so many later English versions in more mundane (even downright ugly) English, the C.V. is well suited to reading aloud in liturgical and other public use. Other modern versions of the Holy Bible, R.C. or Protestant alike, with very few exceptions, simply are not on the level of the C.V., either in precision and faithfulness of rendering or in benefitting from a literary style worthy of the Bible. Any Amazon user who buys the C.V. (including the various "Confraternity-Douay" editions of it) will have one of the finest Bibles in dignified, modern, literary English ever published.

2 of 2 people found the following review helpful.
Saint Joseph Edition of the Holy Bible: Confraternity Version
By Temman
The Confraternity Bible (New Testament) is great, because it is a good translation of the old Vulgate, which follows conscientious the text. Many like the Douay Rheims, but the language used is so old and is nowadays grammatically not correct any more. Modern Bible translations are often too free translated.

Here a link to download the Confraternity New Testament:

http://confraternitybible.weebly.com/

1 of 1 people found the following review helpful.
Five Stars
By sean
great old bible...enjoy it.

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[S774.Ebook] Download Ebook Saint Joseph Edition of the Holy Bible, by Confraternity Of Christian Doctrine Doc
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